• Treppstein Cool autograph card, 1996, photo Martin Frei

    Treppstein Cool autograph card, 1996, photo Martin Frei 

  • Treppstein Cool, video still 1996, camera Martin Frei

    Treppstein Cool, video still 1996, camera Martin Frei 

  • Treppstein komm back, message salon Camping

    Treppstein komm back, message salon Camping  

  • Treppstein komm back, Migros Museum, Foto©Nicolas Duc

    Treppstein komm back, Migros Museum, Foto©Nicolas Duc 

  • Treppstein komm back, Migros Museum, Foto©Nicolas Duc

    Treppstein komm back, Migros Museum, Foto©Nicolas Duc 

  • Treppstein komm back, Migros Museum, Foto©Nicolas Duc

    Treppstein komm back, Migros Museum, Foto©Nicolas Duc 

  • Treppstein komm back, Migros Museum, Foto©Nicolas Duc

    Treppstein komm back, Migros Museum, Foto©Nicolas Duc 

  • Treppstein komm back, welcome by curator Migros Museum Nadia Schneider Willen, Foto©Nicolas Duc

    Treppstein komm back, welcome by curator Migros Museum Nadia Schneider Willen, Foto©Nicolas Duc 

  • Treppstein komm back, Migros Museum, Foto©Nicolas Duc

    Treppstein komm back, Migros Museum, Foto©Nicolas Duc 

  • Treppstein komm back, Migros Museum, Foto©Nicolas Duc

    Treppstein komm back, Migros Museum, Foto©Nicolas Duc 

  • Treppstein komm back, Migros Museum,  Foto©Nicolas Duc

    Treppstein komm back, Migros Museum, Foto©Nicolas Duc 

  • Treppstein komm back, Migros Museum, Foto©Nicolas Duc

    Treppstein komm back, Migros Museum, Foto©Nicolas Duc 

  • Bodenlose Tiefpreise, Bilderladen Monotony,  1995

    Bodenlose Tiefpreise, Bilderladen Monotony, 1995 

  • Bodenlose Tiefpreise- alles ist käuflich, Monotony, flyer 1995

    Bodenlose Tiefpreise- alles ist käuflich, Monotony, flyer 1995 

  • "Am 9.12.95 wollen Selina Trepp und Esther Eppstein ein Stück vom Kuchen", Monotony, Zürich 1995

    "Am 9.12.95 wollen Selina Trepp und Esther Eppstein ein Stück vom Kuchen", Monotony, Zürich 1995 

  • Treppstein Cool, message salon, Zürich 1996, photo Judith Affolter

    Treppstein Cool, message salon, Zürich 1996, photo Judith Affolter 

  • Treppstein Cool Graffiti, Zürich-Bronx, by Redl&Starone, 1996

    Treppstein Cool Graffiti, Zürich-Bronx, by Redl&Starone, 1996 

  • Treppstein Casting, flyer 1997

    Treppstein Casting, flyer 1997 

  • Treppstein Casting dance instruction,  video-box, message salon, Zürich 1997

    Treppstein Casting dance instruction, video-box, message salon, Zürich 1997 

  • Treppstein the Soundtrack vinyl record, Sonic record store flyer, Zürich, 1997

    Treppstein the Soundtrack vinyl record, Sonic record store flyer, Zürich, 1997 

  • Treppstein in the message salon caravan, message salon vacation colony, Art&Appenzell 1998

    Treppstein in the message salon caravan, message salon vacation colony, Art&Appenzell 1998  

Treppstein komm back!

Artist Talk with Treppstein at message salon caravan

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Thursday 16 March, with Treppstein in the caravan, from 4.30 pm. With Treppstein for an aperitif, from 5.30 pm. Artist Talk with Treppstein, moderated by Joel Spiegelberg, conversation in German, 6.30 pm.
Followed by the live concert "Windsurfer" by Kay Zee, Treppstein DJ and producer, Waxy Bar, Klub Zukunft, Dienerstrasse 33, Zurich

Special: on Sunday, 12 March, Selina Trepp invites you to tea, cake and art from a suitcase, 25hours Hotel Langstrasse,4-6pm

Hanging Around, talks in the message salon Wohnwagen with Esther Eppstein, Thursdays 6-8pm

27 January to 28 May
"Acts of Friendship - Acts 1 & 2"
Migros Museum, Limmatstrasse 270, Zurich

Treppstein is a myth. Treppstein were once world-famous! … in the message salon …

… where are Treppstein today? Treppstein are back in the message salon caravan, in the Migros Museum! The history of Treppstein continues to be written.

Esther Eppstein, a young mother who had dropped out of school, opened the off-space “Bilderladen Monotony” on Zurich’s Rennweg in 1995. The showroom on the first floor, with its fitted carpet and shop window on the city’s most expensive street (Monopoly), became a temporary venue for a new generation for a few months and was a direct precursor to message salon.
Selina Trepp and Esther Eppstein first met at the Kanzlei flea market in Zurich in 1995 and, after immediately taking a liking to each other, decided to plan a joint project. Making art themselves and having fun is the motto. “Bodenlose Tiefpreise”, 1995, is the first joint project by Selina Trepp and Esther Eppstein. “Bodenlose Tiefpreise” is art for sale, staged in a fictitious flat in the picture shop Monotony, with furniture from the Brockenhaus and equipped with “cheap art” by and for friends from the Kunstgewerbeschule and from the Zurich post-punk Sponti scene.

The young women are now thinking about becoming artists. They invent Treppstein. Is it art? There is no definition, later the artists will call their genre “cheap happenings”, interactive DIY happenings with chutzpah. It’s all about the moment, and everyone who takes part becomes part of something bigger. Bigger!
Their first coup “On 9 December 1995, Selina Trepp and Esther Eppstein want a piece of the cake” is the beginning of the story about Treppstein. Through courage, charming ingenuity and a sense of timing, Treppstein become lucky artists whose success in the international art halls is frenetically celebrated through further coincidences and coolness in the message salon (Treppstein Cool 1996) and climbs to dizzying heights with the conquest of the film business (Treppstein Casting, 1997) and the production of the dance floor record (Treppstein The Soundtrack, 1997). In 1998, Treppstein recover from the strains of success in Appenzell, in the message salon holiday colony in a caravan.

Treppstein are now back at the Migros Museum in front of the message salon caravan for the first public artist talk in their history. They will be interviewed by Joel Spiegelberg, curator and volunteer at the Migros Museum and the first Treppstein expert for posterity.

Selina Trepp (born 1973 in Zurich) has lived in Chicago, USA, since 1996. She creates paintings, drawings and objects in her studio, which she then turns into stop-motion films. Exhibitions in the USA, in museums, art spaces and in public spaces. She also sings and plays Videolah in Spectralina, the joint A/V project with her husband, the musician and music producer Dan Bitney, and performs with a diverse cast of musicians such as Tomeka Reid and Caroline Davis in international clubs and art venues.